The Detroit Repertory Theatre, established in 1957 in Detroit's Oakman Boulevard neighborhood, has long served as a creative hub, providing a platform for marginalized voices.

As Michigan's oldest alternative professional theater, it operates under a union contract with Actors’ Equity Association and is known for its low ticket prices, ensuring accessibility for local residents.

Originally founded by Wayne State University students, the theatre initially focused on children's productions and has a history of diverse casting, showcasing local talent regardless of race, gender, or disability.

Notably, half of the audience at the Detroit Repertory Theatre are first-time theatergoers, many of whom return due to the welcoming atmosphere.

The theatre successfully navigated the challenges of the COVID-19 pandemic through grants from various foundations and hosted a 'virtual homecoming' event featuring a tribute from Detroit Mayor Mike Duggan.

Executive Artistic Director Leah Smith emphasizes the importance of live theater as a unifying experience, particularly in light of the isolation many faced during the pandemic.

After the retirement of two founding members in 2021, Leah Smith took over leadership, aiming to honor the theatre's legacy while implementing new changes.

Smith envisions a cultural district along Woodward Wilson Street, which would feature additional artistic spaces to support local artists.

The upcoming production 'Covenant', set to open on May 16, 2025, tells the story of Rob Johnson, who sold his soul for guitar skill, and promises to feature challenging special effects.

Currently, the theatre is showcasing 'Hysterical!', a comedy that premiered on March 14, 2025, which tackles serious themes about the challenges young women face in America, inspired by a true story of mass hysteria.

As part of its operational strategy, the theatre is transitioning to a single annual fundraising gala while continuing to secure grant funding for its programs.

Despite experiencing funding fluctuations over the decades, Smith believes the theatre is currently on an upswing towards growth and revitalization.