Moby-Dick Opera Adaptation Set to Make Waves at the Met in 2025

February 21, 2025
Moby-Dick Opera Adaptation Set to Make Waves at the Met in 2025
  • The adaptation process began with extensive reading and research, enabling Scheer to hone in on the operatic elements present in Moby-Dick's language, themes, and narrative structure.

  • He believes that effective opera libretto writing should prioritize emotional stakes conveyed through music rather than focusing solely on language.

  • In addition to Moby-Dick, Scheer is also adapting Michael Chabon's novel The Amazing Adventures of Kavalier & Clay, which presents its own unique challenges due to its expansive timeline and narrative complexity.

  • For Kavalier & Clay, Scheer plans to depict three distinct musical worlds to represent different aspects of the story, including the Holocaust, vibrant post-war New York, and the comic-book creation process.

  • Scheer compares the writing process for opera to silent film, emphasizing the importance of visual storytelling and grand gestures over reliance on language.

  • A new production of Moby-Dick, adapted into an opera by Gene Scheer and composer Jake Heggie, is set to premiere at the Metropolitan Opera in early March 2025.

  • Scheer faced the challenge of transforming Melville's dense narrative, which includes lengthy chapters on whale anatomy and theology, into a compelling three-hour opera.

  • The libretto features more detailed stage directions than usual to capture the intense action and relationships among characters, particularly between Ishmael and Queequeg.

  • Key insights for the adaptation were gained from a visit to the Nantucket Whaling Museum, which inspired specific staging and character interactions.

  • In a significant storytelling shift, Scheer reimagined Ishmael as a 'Greenhorn' character, experiencing the whaling journey in real time rather than as a distant narrator.

  • Scheer incorporated direct quotes and edited passages from Melville's text into the libretto, sometimes using lines as inspiration for new material.

  • The collaboration with composer Jake Heggie involved iterative drafts of the libretto, with input from a dramaturge to refine the dramatic beats of the opera.

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