Target Margin Theater Reimagines 'Show Boat' with Modern Twist on Race and Identity

November 21, 2024
Target Margin Theater Reimagines 'Show Boat' with Modern Twist on Race and Identity
  • Target Margin Theater, in collaboration with NYU Skirball, is set to present 'Show/Boat: A River,' a contemporary reimagining of the original 1927 musical 'Show Boat,' directed by David Herskovits.

  • Director David Herskovits aims to create an ensemble-driven production that incorporates modern considerations in casting and performance.

  • This adaptation seeks to address unresolved themes from the original work, particularly focusing on issues of race and identity in America.

  • The ensemble cast features a diverse group of performers, including Alvin Crawford, Caitlin Nasema Cassidy, Témídáyọ Amay, and Philip Themio Stoddard.

  • Originally groundbreaking, 'Show Boat' was the first musical to integrate its music and plot, presenting complex characters and realistic themes.

  • Based on Edna Ferber's 1926 novel, 'Show Boat' explores America's social changes from the 1880s to the Jazz Age, highlighting themes of racism and the pursuit of justice.

  • The story follows a troupe of performers on a showboat, tackling serious issues like racism and addiction while remaining entertaining.

  • Since its premiere, 'Show Boat' has been revived on Broadway six times and adapted into three films, with notable versions released in 1936 and 1951.

  • The musical's script and score have undergone numerous revisions to update outdated elements and remove offensive material from its original version.

  • 'Show/Boat: A River' will be part of the 2025 Under the Radar Festival, with performances scheduled from January 9 to January 26, 2025, and an opening night on January 15.

  • The creative team includes co-music directors Dionne McClain-Freeney and Dan Schlosberg, choreographer Caroline Fermin, and scenic designer Kaye Voce.

  • As of 2023, the original version of 'Show Boat' has entered the public domain, allowing for reinterpretation in new productions, including this one by Target Margin.

Summary based on 2 sources


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