Amitav Ghosh Wins 2024 Erasmus Prize for Tackling Climate Change Through Storytelling

December 5, 2024
Amitav Ghosh Wins 2024 Erasmus Prize for Tackling Climate Change Through Storytelling
  • Amitav Ghosh has built an extensive body of work that tackles pressing issues such as climate change, migration, colonialism, and cultural dispossession.

  • In recognition of his impactful contributions, Ghosh was awarded the Erasmus Prize in 2024 for his exploration of 'imagining the unthinkable', particularly in relation to climate change.

  • His storytelling effectively makes the climate crisis relatable, emphasizing its cultural implications and the urgency of the situation.

  • Ghosh's narratives challenge stereotypes of the East, presenting both historical and contemporary narratives that highlight the urgency of future challenges.

  • In his latest work, 'Smoke and Ashes: A Writer’s Journey Through Opium’s Hidden Histories' (2023), Ghosh delves into opium's colonial legacy and its connections to modern corporate practices.

  • His earlier work, 'The Nutmeg’s Curse: Parables for a Planet in Crisis' (2021), uses the journey of nutmeg to explore the impacts of colonialism on indigenous cultures and the environment.

  • The Ibis Trilogy—comprising 'Sea of Poppies' (2008), 'River of Smoke' (2011), and 'Flood of Fire' (2015)—charts the socio-political landscape leading to the First Opium War, intertwining personal and historical narratives.

  • In 'The Hungry Tide', set in the Sunderbans, Ghosh examines rising sea levels and the intersection of conservation and human rights through the experiences of a marine biologist and a translator.

  • 'Gun Island' (2019) presents a fictional narrative about a rare book dealer facing ecological collapse and migration, enriched with elements of folklore.

  • Ghosh employs polyphonic storytelling in his works, capturing the diversity of human experiences and the societal challenges faced by different communities.

  • In an interview with The Hindu, Ghosh humbly rejected the title of 'Emperor of the East', asserting instead that 'the east is the emperor of us'.

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