Granta, a literary quarterly established in 1979 by Cambridge University postgraduates, has evolved from its origins as a student magazine to a prominent platform for diverse voices in literature.

Initially focusing on new American writing, Granta has shifted to embrace a global perspective, featuring contributions from notable authors like Susan Sontag and Joyce Carol Oates.

In the 1980s, the publication expanded its scope to include travel writing, challenging traditional genre boundaries and addressing colonial implications through country-specific issues.

Granta is known for its intellectual yet casual style, often taking a more experimental approach compared to mainstream American literary magazines, and it offers a unique viewpoint less centered on major global powers.

The latest issue, Granta 169, focuses on China and marks the fourth edition under the editorship of Thomas Meaney, featuring works from both prominent and emerging Chinese authors.

This issue highlights the variety and depth of contemporary Chinese literature, showcasing genres from surrealism to realism while addressing personal and societal struggles.

A key theme in Granta 169 is the Dongbei Renaissance, which reflects a cultural revival in China's northeastern provinces, blending nostalgia for past industrial glory with critiques of contemporary social issues.

The editors also note the rise of 'bottom-rung literature' from migrant workers, exemplified by the viral essay 'I’m Fan Yusu,' which has sparked a significant literary movement among the working class.

Additionally, the issue reflects on the current state of US-China relations, exploring cultural themes amid rising nationalism and class struggles in both countries.

Overall, Granta's new issue continues its tradition of exploring significant cultural narratives while reinforcing its mission to connect global perspectives.