The poem reflects on the life of Sarah Baartman, a South African woman who was trafficked to Europe in the early 19th century and exhibited as the Hottentot Venus.

Baartman tragically died at the young age of 26 after being displayed in degrading contexts across London and Paris, including forced prostitution.

Her story embodies themes of objectification, appropriation, and fetishization of black women's bodies, as highlighted by poet Dzifa Benson.

Benson's poem contrasts the idealized image of Venus, as depicted by Botticelli, with the harsh reality of Baartman's life, emphasizing the silencing of black women's narratives.

The work underscores the ongoing impact of historical trauma, including the horrors of the Middle Passage and the legacy of enslavement.

Benson's collection, titled 'Monster', explores complex narratives of minds, bodies, and cultures, transforming biography into poetry while maintaining a sense of realism.

The poem features nine quatrains structured to reflect themes of lament and resilience, connecting Baartman to the Roman goddess Venus.

Using sparse punctuation, the poem creates a fluidity of thought, allowing for multiple interpretations and evoking the complexity of Baartman's experience.

Benson employs varied poetic forms, including redaction and 'Freak Sonnets', to illuminate the experiences of other marginalized women.

Georges Cuvier performed an autopsy on Baartman, further dehumanizing her by investigating the connection between her body and that of animals.

Through her poem, Benson offers hope for greater understanding and recognition of the shared humanity among women, regardless of race.